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| Both sides previous revision Previous revision | |||
| hse-03 [2021/11/20 06:58] – renick | hse-03 [2021/11/20 07:06] (current) – renick | ||
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| Line 121: | Line 121: | ||
| - need for an openness in society | - need for an openness in society | ||
| - society is increasingly mediated by algorithms | - society is increasingly mediated by algorithms | ||
| - | - supply chain | + | - supply chain: Walmart, Carre Four, gasoline distribution, |
| - not necessarily dystopic: | - not necessarily dystopic: | ||
| - Allende, Project Cybersyn: https:// | - Allende, Project Cybersyn: https:// | ||
| Line 129: | Line 129: | ||
| - Facebook, Twitter, etc. timeline algos | - Facebook, Twitter, etc. timeline algos | ||
| - credit systems, face recognition etc. for crime prevention | - credit systems, face recognition etc. for crime prevention | ||
| - | - algorithmic discrimination: | + | - algorithmic |
| - ignorance of algorithms leads to a sense of powerlessness | - ignorance of algorithms leads to a sense of powerlessness | ||
| - | - what new relationships does open algorithmic art expose or suggest | + | - Eco says open works suggest new forms of organization and relationship. |
| - by exposing algorithms and showing how they can be beautiful, the understand-ability and tractability of algorithms shows new possibilities to an audience: "i could do this," "i could control an algorithm," | - by exposing algorithms and showing how they can be beautiful, the understand-ability and tractability of algorithms shows new possibilities to an audience: "i could do this," "i could control an algorithm," | ||
| - even for programmers, | - even for programmers, | ||