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academic [2021/11/06 02:47] – renickacademic [2024/09/19 00:14] (current) – [Conference Papers (refereed)] renick
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 ====== Academic Writing ====== ====== Academic Writing ======
  
-===== Journal Articles (refereed) =====+(some items not yet listed)
  
 +===== Book Chapters (edited) =====
 +
 +Bell, Renick (2022). Chapter 3.8. In Blackwell, A. F., Cocker, E., Cox, G., McLean, A., & Magnusson, T.  Live coding: A user’s manual. MIT Press.
 +
 +Chicau, Joana and Bell, Renick (2022). Choreographies of the Circle & Other Geometries. In Shih, X. X. et al. (2022). Critcal Coding Cookbook. Critical Coding Cookbook. Retrieved March 5, 2023, from https://criticalcode.recipes
 +
 +===== Journal Articles (refereed) =====
  
 2018. “Limits in Algorithmic Dance Music”. Dancecult: Journal of Electronic Dance Music Culture. https://dj.dancecult.net/index.php/dancecult/article/view/1082/965 2018. “Limits in Algorithmic Dance Music”. Dancecult: Journal of Electronic Dance Music Culture. https://dj.dancecult.net/index.php/dancecult/article/view/1082/965
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 ===== Conference Papers (refereed) ===== ===== Conference Papers (refereed) =====
  
-2018. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/#papers+Bell, R. et al. (2024) ‘Live Coding Melody and Harmony in JavaScript’, in Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures. New York, NY, USA: Association for Computing Machinery (AM ’24), pp. 362–372. Available at: https://doi.org/10.1145/3678299.3678336. 
 + 
 +2019. van der Walt, J. S., Street, Z., Albornoz, A., Bell, R., John, G., Jack, O., ... & Velasco, G. R. (2019, January). Towards Improving Collaboration Between Visualists and Musicians at Algoraves. In International Conference on Livecoding. https://iclc.toplap.org/2019/papers/paper137.pdf 
 + 
 +2018. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. https://live-interfaces.github.io/2018/pdf/ICLI2018-Bell.pdf
  
 2018. Joana Chicau and Renick Bell. “Círculo e Meio: An Audio-Visual Live Coding Performance Combining Choreographic Thinking and Algorithmic Improvisation.”In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/ 2018. Joana Chicau and Renick Bell. “Círculo e Meio: An Audio-Visual Live Coding Performance Combining Choreographic Thinking and Algorithmic Improvisation.”In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/
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