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--- 300-word-bio [2026/02/15 23:45] – renick
+++ 300-word-bio [2026/04/15 10:38] (current) – renick
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 ====== (under) 300-word bio ======
-Renick Bell is a computer musician and academic whose work explores the friction between algorithmic logic and human improvisation. Born in Texas, Bell relocated to Asia in 2001, spending formative years in Taipei and Tokyo before settling in Ho Chi Minh City, where he currently lectures at RMIT University Vietnam. He holds a PhD from Tama Art University in Tokyo, where his doctoral research focused on affect-based aesthetic evaluation in live coding, a philosophy arguing that the value of algorithmic art lies in the experiential interaction between the programmer and the machine.
+Renick Bell is a computer musician and academic whose work explores the friction between algorithmic logic and human improvisation. Originally from West Texas, Bell relocated to Asia in 2001, spending formative years in Taipei and Tokyo before settling in Ho Chi Minh City, where he currently lectures at RMIT University Vietnam. He holds a PhD from Tama Art University in Tokyo, where his doctoral research focused on affect-based aesthetic evaluation in live coding, developing a pragmatic aesthetics founded on John Dewey’s seminal work.
 Bell is widely recognized for his contributions to the algorave scene, a practice where performers project their computer screens to display the code generating the music. To bypass the limitations of commercial music software, Bell developed his own open-source architectures: Conductive, written in Haskell, and its JavaScript successor, Konduktiva. These tools allow him to construct complex, polyrhythmic soundscapes in real-time.
-His recorded output, characterized by fractal rhythms and post-industrial textures, has been released on labels such as UIQ, Seagrave, and Halcyon Veil. As a performer, he has appeared at major international festivals including Berlin Atonal and Unsound, often collaborating with visualists and choreographers. Bell’s practice insists on transparency, using the public display of code to demystify the technological systems that increasingly govern modern life.
+His recorded output, characterized by fractal rhythms and post-industrial textures, has been released on labels such as UIQ, Seagrave, and Halcyon Veil. As a performer, he has appeared at major international festivals including Berlin Atonal and Unsound, often collaborating with visualists and choreographers. Bell’s practice insists on transparency, using the public display of code to demystify the technological systems that increasingly govern modern life. His current research increasingly deals with aesthetics, regenerative design, and consciousness studies.