Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/#papers
Joana Chicau and Renick Bell. “Círculo e Meio: An Audio-Visual Live Coding Performance Combining Choreographic Thinking and Algorithmic Improvisation.”In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/
Adam Parkinson and Renick Bell. “Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding”. In Proceedings of the International Conference on Live Coding 2015. Leeds, UK. http://iclc.livecodenetwork.org/programme.html
Oliver Bown, Renick Bell, and Adam Parkinson. “Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ inference about what the performer is doing from the audio alone.” In Proceedings of the International Conference on New Interfaces for Musical Expression. London, UK.
“Pragmatic Aesthetic Evaluation of Abstractions for Live Coding.” In Proceedings of Meeting No. 17 of the Japanese Society for Sonic Arts. Nagoya, Japan: The Japanese Society for Sonic Arts. http://www.jssa.info/doku.php?id=journal017
“A live coding improvisation.” In Proceedings of the 9th ACM Conference on Creativity & Cognition, 392–393. Sydney, Australia: ACM. http://dl.acm.org/citation.cfm?id=2481241
“Algorave Set.” In Proceedings of xCoAx2014: Computation Communication Aesthetics and X. Porto, Portugal. http://xcoax.org/
Videos (refereed)
Improvisation (video on the accompanying DVD). Computer Music Journal, 35 (4), 119–137.
Non-refereed publications
“Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory.” eContact! 16 (2). http://cec.sonus.ca/econtact/16_2/bell_livecoding.html (This paper is a revised version of the paper with the same title published in 2013.)