writing | Renick Bell

Journal Articles (refereed)

1. “Limits in Algorithmic Dance Music”. Dancecult: Journal of Electronic Dance Music Culture. https://dj.dancecult.net/index.php/dancecult/article/view/1082/965

Conference Papers (refereed)

1. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/#papers
1. Joana Chicau and Renick Bell. “Círculo e Meio: An Audio-Visual Live Coding Performance Combining Choreographic Thinking and Algorithmic Improvisation.”In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/
1. Adam Parkinson and Renick Bell. “Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding”. In Proceedings of the International Conference on Live Coding 2015. Leeds, UK. http://iclc.livecodenetwork.org/programme.html
1. “Experimenting with a Generalized Rhythmic Density Function for Live Coding.” In Proceedings of LAC 2014. Karlsruhe, Germany. http://lac.linuxaudio.org/2014/papers/38.pdf
1. Oliver Bown, Renick Bell, and Adam Parkinson. “Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ inference about what the performer is doing from the audio alone.” In Proceedings of the International Conference on New Interfaces for Musical Expression. London, UK.
1. “Pragmatically Judging Generators.” In Proceedings of the Generative Art 2013 Conference. Milan, Italy. http://www.generativeart.com/ga2013xWEB/proceedings1/17.pdf
1. “Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory.” In Proceedings of SI13, NTU/ADM Symposium on Sound and Interactivity. Nanyang Technological University, Singapore. http://soundislands.com/si13/proceedings/papers/04-Considering%20Interaction%20in%20Live%20Coding%20through%20a%20Pragmatic%20Aesthetic%20Theory.pdf
1. “Pragmatic Aesthetic Evaluation of Abstractions for Live Coding.” In Proceedings of Meeting No. 17 of the Japanese Society for Sonic Arts. Nagoya, Japan: The Japanese Society for Sonic Arts. http://www.jssa.info/doku.php?id=journal017
1. “Towards Useful Aesthetic Evaluations of Live Coding.” In Proceedings of the International Computer Music Conference. Perth, Australia. http://renickbell.net/pdf/renick-bell-icmc-2013.pdf
1. “A live coding improvisation.” In Proceedings of the 9th ACM Conference on Creativity & Cognition, 392–393. Sydney, Australia: ACM. http://dl.acm.org/citation.cfm?id=2481241
1. “An Approach to Live Algorithmic Composition using Conductive.” In Proceedings of LAC 2013. Graz, Austria. http://lac.linuxaudio.org/2013/papers/49.pdf
1. “An Interface for Realtime Music Using Interpreted Haskell.” In Proceedings of LAC 2011. Maynooth, Ireland. http://lac.linuxaudio.org/2011/papers/35.pdf

Posters (refereed)

1. “Algorave Set.” In Proceedings of xCoAx2014: Computation Communication Aesthetics and X. Porto, Portugal. http://xcoax.org/

Videos (refereed)

1. Improvisation (video on the accompanying DVD). Computer Music Journal, 35 (4), 119–137.

Non-refereed publications

1. “Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory.” eContact! 16 (2). http://cec.sonus.ca/econtact/16_2/bell_livecoding.html (This paper is a revised version of the paper with the same title published in 2013.)