2014. “Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory.” eContact! 16 (2). http://cec.sonus.ca/econtact/16_2/bell_livecoding.html . (eight pages) (This paper is a revised version of the paper with the same title published in 2013.)
2015. “Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding”. In Proceedings of the International Conference on Live Coding 2015. Leeds, UK. http://iclc.livecodenetwork.org/programme.html
2014. “Experimenting with a Generalized Rhythmic Density Function for Live Coding.” In Proceedings of LAC 2014. Karlsruhe, Germany. http://lac.linuxaudio.org/2014/papers/38.pdf . (seven pages)
2013. “Pragmatically Judging Generators.” In Proceedings of the Generative Art 2013 Conference. Milan, Italy. http://www.generativeart.com/ga2013xWEB/proceedings1/17.pdf . (11 pages)
2013. “Considering Interaction in Live Coding through a Pragmatic Aesthetic Theory.” In Proceedings of SI13, NTU/ADM Symposium on Sound and Interactivity. Nanyang Technological University, Singapore. http://soundislands.com/si13/proceedings/papers/04-Considering%20Interaction%20in%20Live%20Coding%20through%20a%20Pragmatic%20Aesthetic%20Theory.pdf (eight pages)
2013. “Pragmatic Aesthetic Evaluation of Abstractions for Live Coding.” In Proceedings of Meeting No. 17 of the Japanese Society for Sonic Arts. Nagoya, Japan: The Japanese Society for Sonic Arts. http://www.jssa.info/doku.php?id=journal017 . (eight pages)
2013. “Towards Useful Aesthetic Evaluations of Live Coding.” In Proceedings of the International Computer Music Conference. Perth, Australia. http://renickbell.net/pdf/renick-bell-icmc-2013.pdf (six pages)
2013. “A live coding improvisation.” In Proceedings of the 9th ACM Conference on Creativity & Cognition, 392–393. Sydney, Australia: ACM. http://dl.acm.org/citation.cfm?id=2481241 .
2013. “An Approach to Live Algorithmic Composition using Conductive.” In Proceedings of LAC 2013. Graz, Austria. http://lac.linuxaudio.org/2013/papers/49.pdf . (eight pages)
2011. “An Interface for Realtime Music Using Interpreted Haskell.” In Proceedings of LAC 2011. Maynooth, Ireland. http://lac.linuxaudio.org/2011/papers/35.pdf . (seven pages)
Bown, Oliver, Renick Bell, and Adam Parkinson. 2014. “Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ inference about what the performer is doing from the audio alone.” In Proceedings of the International Conference on New Interfaces for Musical Expression. London, UK. (six pages)
2014. “Algorave Set.” In Proceedings of xCoAx2014: Computation Communication Aesthetics and X. Porto, Portugal. http://xcoax.org/ . (two pages)
(2011). Improvisation (video on the accompanying DVD). Computer Music Journal, 35 (4), 119–137.